For the better part of seven decades, photographer Bruce Davidson, now 85 years old, has been capturing America’s grittier side with an unflinching honesty. His portraits, often of fringe characters infrequently placed into the spotlight, feel candid and in-the-moment. Davidson captures his subjects in privileged moments—those brief seconds when a person allows their face to fall into its truest shape, convinced that no one is watching.
Now on display at Howard Greenberg Gallery in New York City, Bruce Davidson, Subject: Contact offers viewers a rare glimpse into the photographer’s editing process. The exhibition centers around four of Davidson’s seminal works taken during the 1950s and 1960s: Circus, Brooklyn Gang, Time of Change, and East 100th Street. Iconic images from each series are accompanied by contact sheets. The effect makes the photographer, so attune to the human condition, seem even more human himself. Bruce Davidson, Subject: Contact runs through June 15. Make sure you catch it.
Header image: Bruce Davidson, East 100th Street, 1966. Gelatin silver print; printed c.1966. Courtesy of the artist, Howard Greenberg Gallery, New York City and Magnum Photos.